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ËïÕñ»ª ×°ÖÃÓëʱ¼ä Sun Zhenhua Installation and Time
Òó˫ϲ Ææ¹ÛÓëÕ𾪣º×°ÖÃÒÕÊõÖеľºÕùÂß¼ Yin Shuangxi Wonder and Shock: Competitive Logic in Installation Art
ÂíÇÕÖÒ ×°ÖÃÒÕÊõµÄÌØÕ÷ÃèÊö¼°ÒÕÊõʷд×÷µÄÐÂÎÊÌâ Ma Qinzhong The Description of Installation¡¯s Characteristics and New Problems of Art History¡¯s Writing
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[ÃÀ]ÂõÒ®·ÏÄÆ¤ÂÞ Öø ÉòÓï±ù Òë ÅúÆÀ¼ÒÅ· ÈÊ·¸¥ÂÞâ̹£¨½ÚÑ¡£©£¨Ï£© Meyer Schapiro Translated by Shen Yubing Eugene Fromentin as a Critic (III)
»ÆÁ¢Æ½ ÎÒÈÏʶµÄÍõ¹ãÒå Huang Liping Wang Guangyi that I Know
¼½ÉÙ·å ÔÙʶ·½Á¦¾û£¨ÉÏ£© Ji Shaofeng Re-sensing the Work of Fang Lijun (I)
ÖìÇàÉú Öйúµ±´úÒÕÊõÄê¼øÕ¹2015 Zhu Qingsheng The Exhibition of Annual of Contemporary Art of China 2015
ÅÓïçû »ØÊ×ÓëÕ¹Íû¡ª¡ªÒÕÊõ˶ʿ ѧλ×ß¹ýµÄÊ®Äê Pang Maokun Retrospection and Expectation¡ª¡ªMaster of Fine Arts Has Seen Ten Years
²ÜÒâÇ¿ Õý±¾ÇåÔ´¡ª¡ªÒÕÊõ˶ʿѧ λÉèÖõÄÒâÒå Cao Yiqiang Radically Reform¡ª¡ª Significance of MFA Establishment
Íõ³¯¸Õ ·¾¶Óë±í´ï¡ª¡ª×÷Ϊ¹ý³Ì µÄÒÕÊõ Wang Chaogang Method and Expression ¡ª¡ªArt as the Process
ÀîÓ ÀúÊ·µÄÔìÎï Li Yong Historical Creation
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Τ¼Î °æ»½ÌÓýÖеĽṹÐÔ²½·¥ Wei Jia Constitutive Procedure of Printmaking Education
âÕÃÎÙ» °½Ïë תÒëÓë̽Ë÷¡ª¡ª¶Ô»°âÕÃÎÙ» Tuo Mengqian Ao Xiang Translation and Exploration¡ª¡ªInterview with Tuo Mengqian
ÍõÅæÆæ ´òÆÆÓë̽Ë÷ Wang Peiqi Breaking and Exploration
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